Wednesday, November 30, 2011

BEOWULF & GRENDEL - Art Print - Medium - 28x35cm

  • Art Print
  • Medium - 28x35cm
BEOWULF & GRENDEL - DVD MovieThe otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between good and evil, but a convoluted mystery of sorts, with Beowulf playing the detective who discovers that his foe is more human than monster, and Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legend! ary story from the dust of academics by contemporizing the dialogue (Andrew Rai Berzins has an excellent ear for hard-bitten palaver), and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while never quite satisfying the requirements of either genre. Regardless, the quality cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-handled action sequences should hold viewers’ attention even when the unnecessarily complex plot does not. --Paul GaitaThe otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel (Icelandic superstar ! Ignvar Sigurdsson), which has been plaguing the house of King ! Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between good and evil, but a convoluted mystery of sorts, with Beowulf playing the detective who discovers that his foe is more human than monster, and Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legendary story from the dust of academics by contemporizing the dialogue (Andrew Rai Berzins has an excellent ear for hard-bitten palaver), and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while never quite satisfying the requirements of either genre. Regardless, the quality cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-handled action sequences should hold viewers' attention even when the unnecessarily complex plot does not. --Paul GaitaStudio: St! arz/sphe Release Date: 11/06/2007 Run time: 103 minutes Rating: RThe otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between good and evil, but a convoluted mystery of sorts, with Beowulf playing the detective who discovers that his foe is more human than monster, and Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legendary story from the dust of academics by contemporizing the dialogue (And! rew Rai Berzins has an excellent ear for hard-bitten palaver),! and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while never quite satisfying the requirements of either genre. Regardless, the quality cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-handled action sequences should hold viewers' attention even when the unnecessarily complex plot does not. --Paul GaitaAdapted from the Anglo-Saxon epic poem, Beowulf, Beowulf & Grendel is a medieval adventure that tells the blood-soaked tale of a Norse warrior's battle against the great and murderous troll, Grendel.The otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denma! rk to fight the monstrous troll Grendel (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan Skarsgård, buried under a mound of prosthetic hair). However, what transpires is not a battle between good and evil, but a convoluted mystery of sorts, with Beowulf playing the detective who discovers that his foe is more human than monster, and Hrothgar less wronged innocent than catalyst for his own downfall. Director Sturla Gunnarsson succeeds in pulling this legendary story from the dust of academics by contemporizing the dialogue (Andrew Rai Berzins has an excellent ear for hard-bitten palaver), and his visuals are nothing less than striking, but the film attempts to be both monster movie and melancholy drama, while never quite satisfying the requirements of either genre. Regardless, the quality cast (which includes Sarah Polley from Dawn of the Dead as a sharp-tongued witch with a connection to Grendel) and some well-hand! led action sequences should hold viewers' attention even when ! the unne cessarily complex plot does not. --Paul GaitaIn the age of heroes comes the mightiest warrior of them all, Beowulf. After destroying the overpowering demon Grendel, he incurs the undying wrath of the beast’s ruthlessly seductive mother who will use any means possible to ensure revenge. The ensuing epic battle throughout the ages, immortalizing the name Beowulf. Academy Award® winner director Robert Zemeckis tells the oldest epic tale in the English language with the most modern technology, advancing the cinematic forum through the magic of digitally enhanced live action. A stellar cast is led by Ray Winstone ("The Departed," "Sexy Beast") in the title role. Joining him are Academy Award winner Anthony Hopkins as the cursed King Hrothgar, John Malkovich, Robin Wright Penn, Brendan Gleeson, Crispin Glover, Alison Lohman and Oscar Winner Angelina Jolie as Grendel’s mother.Spectacular animated action scenes turn the ancient epic poem Beowulf into a modern fant! asy movie, while motion-capture technology transforms plump actor Ray Winstone (Sexy Beast) into a burly Nordic warrior. When a Danish kingdom is threatened by the monster Grendel (voiced and physicalized by Crispin Glover, River's Edge), Beowulf--lured by the promise of heroic glory--comes to rescue them. He succeeds, but falls prey to the seductive power of Grendel's mother, played by Angelina Jolie... and as Jolie's pneumatically animated form rises from an underground lagoon with demon-claw high heels, it becomes clear that we're leaving the original epic far, far behind. Regrettably, the motion-capture process has made only modest improvements since The Polar Express; while the characters' eyes no longer look so flat and zombie-like, their faces remain inexpressive and movements are still wooden. As a result, the most effective sequences feature wildly animated battles and the most vivid character is Grendel, whose grotesqueness ends up making him ! far more sympathetic than any of the mannequin-like human bein! gs. The meant-to-be-titillating images of a naked Jolie resemble an inflatable doll more than a living, breathing woman (or succubus, as the case may be). But the fights--particularly Grendel's initial assault on the celebration hut--pop with lushly animated gore and violence. Also featuring the CGI-muffled talents of Anthony Hopkins (Silence of the Lambs), Robin Wright Penn (The Princess Bride), and John Malkovich (Dangerous Liaisons). --Bret FetzerJohn Grigsby reveals that the English had a mythology and a vibrant pagan religion as rich and complex as that of the early Celts, of which only a few precious fragments remain. One such fragment is a Dark Age poem that tells of the deeds of a monster-slaying hero Beowulf, who frees the feasting hall of a Danish king from the twelve-year tyranny of a creature named Grendel. Grigsby's conclusions will revolutionize the way we think about the ancestors of the English. He explains how they came to England from De! nmark and Northern Germany and how human sacrifice was central to their religion. He shows how the memory of the forceful suppression of this sacrificial cult in the 5th century AD lies behind the seemingly fantastic deeds of Beowulf. His discovery will restore the poem to its rightful place as a national epic.Introduction gives a short history of the Old English language.

The classic tale of courage and honor. In the Great Hall of Hrothgar, King of the Danes, the warrior Beowulf, son of a Swedish King, wages battle with the monster Grendel.

Introduction gives a short history of the Old English language.

The classic tale of courage and honor. In the Great Hall of Hrothgar, King of the Danes, the warrior Beowulf, son of a Swedish King, wages battle with the monster Grendel.

In the age of heroes comes the mightiest warrior of them all, Beowulf. After destroying the overpowering demon Grendel, he incurs the undying wrath of the beast’s rut! hlessly seductive mother who will use any means possible to en! sure rev enge. The ensuing epic battle throughout the ages, immortalizing the name Beowulf. Academy Award® winner director Robert Zemeckis tells the oldest epic tale in the English language with the most modern technology, advancing the cinematic forum through the magic of digitally enhanced live action. A stellar cast is led by Ray Winstone ("The Departed," "Sexy Beast") in the title role. Joining him are Academy Award winner Anthony Hopkins as the cursed King Hrothgar, John Malkovich, Robin Wright Penn, Brendan Gleeson, Crispin Glover, Alison Lohman and Oscar Winner Angelina Jolie as Grendel’s mother.Spectacular animated action scenes turn the ancient epic poem Beowulf into a modern fantasy movie, while motion-capture technology transforms plump actor Ray Winstone (Sexy Beast) into a burly Nordic warrior. When a Danish kingdom is threatened by the monster Grendel (voiced and physicalized by Crispin Glover, River's Edge), Beowulf--lured by the promise of hero! ic glory--comes to rescue them. He succeeds, but falls prey to the seductive power of Grendel's mother, played by Angelina Jolie... and as Jolie's pneumatically animated form rises from an underground lagoon with demon-claw high heels, it becomes clear that we're leaving the original epic far, far behind. Regrettably, the motion-capture process has made only modest improvements since The Polar Express; while the characters' eyes no longer look so flat and zombie-like, their faces remain inexpressive and movements are still wooden. As a result, the most effective sequences feature wildly animated battles and the most vivid character is Grendel, whose grotesqueness ends up making him far more sympathetic than any of the mannequin-like human beings. The meant-to-be-titillating images of a naked Jolie resemble an inflatable doll more than a living, breathing woman (or succubus, as the case may be). But the fights--particularly Grendel's initial assault on the celebration! hut--pop with lushly animated gore and violence. Also featuri! ng the C GI-muffled talents of Anthony Hopkins (Silence of the Lambs), Robin Wright Penn (The Princess Bride), and John Malkovich (Dangerous Liaisons). --Bret FetzerThis fine art print is created on archival photographic paper from the original negative - resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display.

Dance Flick : Widescreen Edition

  • Widescreen
Street dancer Thomas Uncles is from the wrong side of the tracks, but his bond with the beautiful Megan White might help the duo realize their dreams as they enter into the mother of all dance battles.The spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directing, from a script written by him and Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (! Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everything that pops into their heads: Twilight, Dick Cheney, the self-consciousness of interracial romance. There are a few laughs, but in the absence of a sustained comic tone and consistently good ideas, the script relies on endless bathroom humor and such throwaway visual ideas as a baby stored in a high school locker. --Tom Keogh

Stills from Dance Flick (Click for larger image)











DANCE FLICK - Blu-Ray MovieThe spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directing, from a script written by him and Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everythi! ng that pops into their heads: Twilight, Dick Cheney, ! the self -consciousness of interracial romance. There are a few laughs, but in the absence of a sustained comic tone and consistently good ideas, the script relies on endless bathroom humor and such throwaway visual ideas as a baby stored in a high school locker. --Tom Keogh

Stills from Dance Flick (Click for larger image)











The spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directi! ng, from a script written by him and Keenen Ivory Wayans, Shaw! n Wayans , Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everything that pops into their heads: Twilight, Dick Cheney, the self-consciousness of interracial romance

Dead & Buried (Limited Edition)

  • DEAD & BURIED LIMITED EDITION 2-DISC (DVD MOVIE)
Paul Conroy is not ready to die. But when he wakes up six feet underground with no idea of who put him there or why, life for the truck driver and family man instantly becomes a hellish struggle for survival. Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited. Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time; fighting panic, despair and delirium, Paul has only ninety minutes to be rescued before his worst nightmare comes true.Alfred Hitchcock, eat your heart out. Sure, the master of suspense set himself some tough challenges with limited scenarios: Lifeboat took place entirely within the title craft, Rear Window d! idn't stray from Jimmy Stewart's apartment, and Rope stuck mostly to an unbroken take. But Spanish director Rodrigo Cortés wants to do the master one better: Buried is set inside a coffin, buried beneath a few feet of immovable earth. Paul Conroy (Ryan Reynolds) wakes up inside the coffin, a cell phone and lighter next to him; for the next 90 minutes, we won't leave the narrow space of that wooden box. No cheats: no flashbacks to Paul's past, no cross-cutting with efforts to free him. Cortés sticks to the rules and follows his story out to its conclusion, and in the process he must think of every possible way to shoot and light someone in a confined space. Seems Paul was in Iraq as a non-military truck driver when he got caught in some crossfire, and somebody wants to make a point. The cell phone allows him to speak, and try to puzzle out what's happening, but except for the voices on the other end, this is entirely Ryan Reynolds's show. The actor is up for ! it: although he can't use his body, he calls on both his actio! n-movie chops and (at certain exasperating moments) his comic talents. By definition, this is a bravura turn, and Reynolds comes through firing on all cylinders. Buried is an exercise, but it manages to sneak in a few sly suggestions about the nature of an American's presence in the Middle East. It even earns points for an excellent credits sequence--a clever nod to Hitchcock classics. Somehow you suspect the master would approve. --Robert HortonDEAD AND BURIED - DVD MovieOverlooked during its theatrical run but a cult favorite on video, this unique and chilling take on the zombie film finally joins the digital ranks with a two-DVD set from Blue Underground. James Farentino stars as a small-town sheriff who discovers that the victims in a string of grisly murders are reappearing seemingly alive and unharmed. His investigation leads him to suspect that the local mortician (Jack Albertson) is somehow responsible for these reanimated corpses; what Farentino doesn't know i! s the extent to which the entire town-himself included-is involved. First-time viewers will appreciate director Gary Sherman's attention to pacing and atmosphere, as well as the often darkly humorous script by co-producer Ronald Shusett and Dan O'Bannon (Alien, Total Recall) and the solid cast (which includes future horror star Robert Englund); longtime fans will appreciate the fact that Blue Underground's uncut print restores many of Stan Winston's gruesome special effects. --Paul Gaita

Erin Brockovich

  • Widescreen
A real woman. A real story. A real triumph. Julia Roberts stars as Erin Brockovich, a feisty young mother who fought for justice any way she knew how. Desperate for a job to support herself and her three children, she convinces attorney Ed Masry (Albert Finney) to hire her, and promptly stumbles upon a monumental law case against a giant corporation. Now, Erin's determined to take on this powerful adversary even though no law firm has dared to do it before. And while Ed doesn't want anything to do with the case, Erin won't take "no" for an answer. So the two begin an incredible and sometimes hilarious fight that will bring a small town to its feet and a huge company to its knees.Much will be made of Julia Roberts's wardrobe in Erin Brockovich--a brash parade of daring hemlines and Wonderbra confidence. Roberts is unabashedly sexy in the title role of this fact-based comedy-d! rama, but she and director Steven Soderbergh are far too intelligent to rely solely on high heels and cleavage. Susannah Grant's brassy screenplay fuels this winning combination of star, director, and material, firing on all pistons with maximum efficiency. With Ed Lachman, his noted cinematographer from The Limey, Soderbergh tackles this A-list project with the fervor of an independent, combining a no-frills look with kinetic panache and the same brisk editorial style he used in the justly celebrated Out of Sight.

Broke and desperate, the twice-divorced single mom Erin bosses her way into a clerical job with attorney Ed Masry (Albert Finney), who's indebted to Erin after failing to win her traffic-injury case. Erin is soon focused on suspicious connections between a mighty power company, its abuse of toxic chromium, and the poisoned water supply of Hinkley, California, where locals have suffered a legacy of death and disease. Matching the dramatic potency! of Norma Rae and Silkwood, Erin Brockovich filte rs cold facts through warm humanity, especially in Erin's rapport with dying victims and her relationship with George (superbly played by Aaron Eckhart), a Harley-riding neighbor who offers more devotion than Erin's ever known. Surely some of these details have been embellished for dramatic effect, but the factual basis of Erin Brockovich adds a boost of satisfaction, proving that greed, neglect, and corporate arrogance are no match against a passionate crusader. (Trivia note: The real Erin Brockovich appears briefly as a diner waitress.) --Jeff Shannon

Great Directors: Volume 1 (Dersu Uzala / The Mirror / Les Bonnes Femmes / Il Grido / Circle of Deceit) (5D)

  • GREAT DIRECTORS VOL. 1 (DVD MOVIE)
Ten of the greatest filmmakers in the world passionately discuss their craft in Angela Ismailos' hugely entertaining documentary GREAT DIRECTORS. Bernardo Bertolucci, David Lynch, Todd Haynes, Richard Linklater, Stephen Frears, Agnes Varda, Ken Loach, Liliana Cavani, Todd Haynes and Catherine Breillat open up about their extraordinary careers with unexpected candor and humor. Ismailos gets them to talk about their artistic evolution from their debut works to their recent triumphs, as well as the role that politics and history play in their films. David Lynch discusses how Mel brooks netted him his job on THE ELEPHANT MAN as well as his travails with the studio on DUNE. And the all honor their influnces, from Todd haynes on Fassbinder and Breillat on Ingmar Bergman, to Lynch on Billy Wilder and Hitchcock. GREAT DIRECTORS is an illuminating and surprising cras! h course on the state of contemporary cinema, and an example for where it might be headed.

SPECIAL FEATURES: Over three hours of additional interviews with these award winning directors, promotional trailer.AKIRA KUROSAWA
ANDREI TARKOVSKY
CLAUDE CHABROL
MICHELANGELO ANTONIONI
VOLKER SCHLONDORFF

Akira Kurosawa s DERSU UZALA (1975, Color, 140 Minutes, Letterboxed) Winner of the 1975 Academy Award for Best Foreign Language Film, this Kurosawa epic is a Siberian adventure that features stunningly photographed battles of man dueling nature.

Andrei Tarkovsky s THE MIRROR (1974, Color/B&W, 106 Minutes, Full Frame) Tarkovsky s most personal (and beautiful) work, The Mirror delves into his childhood to conjure up a stream of sublime images that reflect a WWII-scarred youth and a haunted future.

Claude Chabrol s LES BONNES FEMMES (1960, B&W, 93 Minutes, Letterboxed) One of the most erotic and suspenseful treats of the French New Wave, this Chab! rol-helmed classic tracks the loves and stalkers of four prett! y shopgi rls who soon discover the dark side of passion.

Michelangelo Antonioni s IL GRIDO (1957, B&W, 115 Minutes, Full Frame) One of Antonioni s unsung masterpieces, Il Grido is a wrenchingly bittersweet tale of lost love replaced by lust, achieving a tragic poetry unequaled in the great director s illustrious career.

Volker Schlondorff s CIRCLE OF DECEIT (1981, Color, 108 Minutes, Letterboxed) This explosive tale of sex and politics in war-torn Beirut is one of the richest films in Schlöndorff s career. Setting up a minefield of ethical conundrums and personal jealousies, it s a scorching take on the modern media.

Earthworks M30 Measurement Microphone

  • Frequency Response, +1/-3 dB: 5 Hz - 30 kHz
  • Polar Pattern: Omnidirectional
  • Sensitivity: 8 mV/Pa (-42 dBV/Pa)
  • Power Requirements: 48V Phantom, 10 mA
  • Output: XLR intended to drive a balanced, transformerless input, Pin2 +
This book includes Brancusi, Richard Long, James Turrell and others. Updated and expanded, this fourth edition crosses boundaries of art and urban landscape planning. The book begins with an enlightening introduction tracing the historical roots of art in the landscape: Stonehenge, Indian mounds, cliff dwellings, park design from 18th-century England to modern-day golf courses. The opening chapter deals with such innovative artists as Robert Smithson, Nancy Holt, Walter De Maria, and Christo, who in the 1960s began to free their art from the confines of tradition by constructing monumental sculptures in the environment. The following chapters ! discuss their predecessors, peers, and successors, including Constantin Brancusi, Herbert Bayer, Richard Long, James Turrell, and many others. The final four chapters (chapter 7 is entirely new) explore at length the increasing involvement of artists in land reclamation and urban design, featuring projects by Michael Heizer, Nancy Holt, Mel Chin, Maya Lin, and many others.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.The M30 is an affordable, reliable 30 kHz reference microphone. It utilizes a very small, very accurate omnidirectional element, a carefully crafted stainless steel body, and innovative circuitry to deliver flat, time c! oherent response from 9 Hz to 30 kHz. The M30 has become the d! efacto s tandard reference for Smaart, MLSSA, SIMM and TEF. The M30 is the most cost-effective measurement microphone which you can trust. It exceeds the specified requirements for al audio band measurement systems. The M30 is a standard.The M30 comes with a measured frequency response chart which includes a value for sensitivity. Since the M30 is stable with respect to temperature, you can input this number if your program allows and be very close to correct absolute SPL. We also ship the M30 with a 'white' calibrator adapter which adapts from the M30 to a 1/2-inch calibrator adapter for field calibration.The M30 is available as amatched pair and doubles as a great sounding recording microphone. It is sturdy and reliable. The M30 is a sound investment.

Goodbye Bafana Poster Movie 11x17 Joseph Fiennes Dennis Haysbert Diane Kruger Patrick Lyster

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Goodbye Bafana 11 x 17 Inches Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Joseph Fiennes (Running with Scissors, Shakespeare in Love) and Dennis Haysbert (TV's 24) star in the incredible true story of the deep bond that develops between political prisoner Nelson Mandela and James Gregory, the racist white South African who was Mandela's prison guard for more than 20 years. Based on Gregory's controversial memoir, Goodbye Bafana, The Color Of Freedom powerfully chronicles the life-changing journey both men experience during Mandela's imprisonment - as one man confronts the racism he has always known, the other's struggle for freedom ! makes him a worldwide symbol of South Africa's heroic fight for democracy.Inspired by James Gregory's memoir, Goodbye Bafana, The Color of Freedom offers an inside look at the 27-year incarceration of future South African President Nelson Mandela (24's Dennis Haysbert). Apartheid-friendly guard Gregory (Shakespeare in Love's Joseph Fiennes), social-climbing spouse Gloria (National Treasure's Diane Kruger), and their two children move to Robben Island, home of the infamous political prison, in 1968. Because he speaks Xhosa, Gregory’s superior charges the warder with censoring correspondence and supervising visits between the African National Congress (ANC) leader and his wife, Winnie (Faith Ndukwana). As it transpires, the guard had a black childhood friend named Bafana, and his relationship with Mandela rekindles Gregory’s long-lost belief in racial equality. Directed by Denmark's Bille August (The Best Intentions), The Color! of Freedom captures the natural beauty of South Africa an! d the un natural fashions of yesteryear (including Kruger's '60s-era foundation garments). The actors also give it their all, particularly Fiennes, who nails the Afrikaner dialect, but predictability and underdeveloped personalities dilute the drama (it's also worth noting that Mandela hasn't corroborated the facts in Gregory's book, contributing to its controversial reputation). The six-foot-four Haysbert's dissimilarity to the Nobel Peace Prize winner also proves distracting. Like Blood Diamond and other recent motion pictures concerning African history, August's effort means well, but fails to register as more than a made-for-TV movie with superior production values. --Kathleen C. FennessyAn account of how the author was Nelson Mandela's gaoler for over twenty years. Despite opposing political views and Gregory's initial dislike of Mandela, the two gradually formed a firm friendship, becoming each other's confidant and source of comfort. Gives insight into the charac! ter and political beliefs of Mandela.United Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), French ( Dolby Digital 5.1 ), Spanish ( Dolby Digital 5.1 ), English ( Subtitles ), French ( Subtitles ), Spanish ( Subtitles ), ANAMORPHIC WIDESCREEN (2.35:1), SPECIAL FEATURES: Interactive Menu, Scene Access, SYNOPSIS: White prison guard James Gregory's life is profoundly altered when he meets the prisoner Nelson Mandela, whom he ends up guarding for more than twenty years. ...Goodbye Bafana ( Il Colore della liberta' ) ( Detenuto 46664 )Goodbye Bafana reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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CSA: The Confederate States of America

Cape Fear (1962) [DVD]

  • The worst nightmare of a small-town lawyer (Gregory Peck) comes true when a criminal (Robert Mitchum) he helped put in jail returns to stalk his beautiful young wife and teenage daughter.
  • 1 DVD / 106 Minutes
A RECENTLY-RELEASED RAPIST STALKS THE FAMILY OF THE ATTORNEY WHODEFENDED HIM.Martin Scorsese's 1991 remake of J. Lee Thompson's 1962 thriller dabbles a bit in some fascinating psychological crosscurrents between its characters, but it finally trades in all that rich material for extensive and gratuitous violence. Robert De Niro plays a serial rapist released from prison after 14 years. Angry because his appalled attorney (Nick Nolte) made it easy for him to be convicted, this monster is out to hurt Nolte's character through his wife (Jessica Lange) and daughter (Juliette Lewis). The themes of interlocking guilt and anger between these people suggests a smart film in the making. ! But the final act, set on a boat with De Niro's vengeful pervert attacking Nolte and the two women, takes a more unfortunate direction. Stick with the original (which starred Robert Mitchum and Gregory Peck, each of whom make a cameo appearance in this film). --Tom KeoghA southern lawyer sets a trap on a houseboat for a twisted ex-convict terrorizing his family. Studio: Uni Dist Corp. (mca) Release Date: 09/02/2003 Starring: Gregory Peck John Mckee Run time: 105 minutes Rating: Nr Director: J. Lee ThompsonSuperior to Martin Scorsese's punishing 1991 remake, this 1962 thriller directed by J. Lee Thompson (The Guns of Navarone) stars Robert Mitchum as a creepy ex-con angry at the attorney (Gregory Peck) whom he believes is responsible for his incarceration. After Mitchum makes clear his plans to harm Peck's family, a fascinating game of crisscrossing ethics and morality takes place. Where the more recent version seemed trapped in its explicitness, Thompson! 's film accomplishes a lot with a more economical and telling ! use of v iolence. The result is a richer character study with some Hitchcockian overtones regarding the nature of guilt. --Tom KeoghAcademy Award®-winning director Martin Scorsese brings heart-pounding suspense to one of the most acclaimed thrillers of all time in Cape Fear. Earning an Academy Award® nomination for his brilliant performance, Robert De Niro stars as vicious psychopath Max Cady who emerges after being imprisoned for fourteen years with a single-minded mission - to seek revenge on his attorney Sam Bowden (Nick Nolte). Realizing he is legally powerless to protect his beautiful wife Leigh (Jessica Lange) and his troubled teenage daughter Danielle (Juliette Lewis) against Max's relentless psychological torment, Sam resorts to unorthodox measures, leading to an unforgettable, action-packed showdown on Cape Fear. Starring: Robert De Niro, Nick Nolte, Jessica Lange, Juliette Lewis, Joe Don Baker, Robert Mitchum, Gregory Peck, Martin Balsam, Fred Dalton Thompson, Ill! eana Douglas Directed by: Martin ScorseseMartin Scorsese's 1991 remake of J. Lee Thompson's 1962 thriller dabbles a bit in some fascinating psychological crosscurrents between its characters, but it finally trades in all that rich material for extensive and gratuitous violence. Robert De Niro plays a serial rapist released from prison after 14 years. Angry because his appalled attorney (Nick Nolte) made it easy for him to be convicted, this monster is out to hurt Nolte's character through his wife (Jessica Lange) and daughter (Juliette Lewis). The themes of interlocking guilt and anger between these people suggests a smart film in the making. But the final act, set on a boat with De Niro's vengeful pervert attacking Nolte and the two women, takes a more unfortunate direction. Stick with the original (which starred Robert Mitchum and Gregory Peck, each of whom make a cameo appearance in this film). --Tom KeoghMaster filmmaker Martin Scorsese brings heart-pounding susp! ense to one of the most acclaimed thrillers of all time. Fourt! een year s after being imprisoned, vicious psychopath Max Cady (Robert De Niro) emerges with a single-minded mission: to seek revenge on his attorney Sam Bowden (Nick Nolte). Cady becomes a terrifying presence as he menacingly circles Bowden's increasingly unstable family. Realizing he is legally powerless to protect his beautiful wife Leigh (Jessica Lange) and his troubled teenage daughter Danielle (Juliette Lewis), Sam resorts to unorthodox measures which lead to an unforgettable showdown on Cape Fear. Visually stunning images and brilliant performances from a talented cast highlight this roller-coaster ride through relentless psychological torment. Starring: Robert De Niro, Nick Nolte, Jessica Lange, Juliette Lewis, Joe Don Baker, Robert Mitchum, Gregory Peck, Martin Balsam, Fred Dalton Thompson, Illeana Douglas Directed by: Martin ScorseseMartin Scorsese's 1991 remake of J. Lee Thompson's 1962 thriller dabbles a bit in some fascinating psychological crosscurrents between its cha! racters, but it finally trades in all that rich material for extensive and gratuitous violence. Robert De Niro plays a serial rapist released from prison after 14 years. Angry because his appalled attorney (Nick Nolte) made it easy for him to be convicted, this monster is out to hurt Nolte's character through his wife (Jessica Lange) and daughter (Juliette Lewis). The themes of interlocking guilt and anger between these people suggests a smart film in the making. But the final act, set on a boat with De Niro's vengeful pervert attacking Nolte and the two women, takes a more unfortunate direction. Stick with the original (which starred Robert Mitchum and Gregory Peck, each of whom make a cameo appearance in this film). --Tom KeoghGregory Peck and Robert Mitchum star in Hollywood's classic tale of revenge and murder. Robert Mitchum is unforgettable as Max Cady, an ex-con determined to exact a terrible revenge on Sam Bowden (Gregory Peck) and his family. Sam is a small-town lawyer whose worst nightmare comes true when the criminal he helped put away returns to stalk his beautiful young wife (Polly Bergen) and teenage daughter (Lori Martin). Despite help from the local police chief (Martin Balsam) and a private detective (Telly Savalas), Sam is legally powerless to keep Max from playing his sadistic game of cat and mouse. Finally, Sam must put his family's lives at stake in a deadly trap that leads to one of the most suspenseful and heart-pounding confrontations ever committed to film. Director J. Lee Thompson builds tension with each scene leading to a deadly showdown at Cape Fear. This is truly a masterpiece of shock and suspense. BONUS FEATURES: * The Making Of Cape Fear * Production Photographs * Theatrical Trailer

Tuesday, November 29, 2011

Cliffhanger [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen
A mountain climber who has lost his nerve finds himself on a rescue mission involving millions of stolen Treasury dollars and ruthless criminals.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 2-MAY-2006
Media Type: DVDCliffhanger was a 1994 comeback of sorts for action hero Sylvester Stallone, this time thanks to director Renny Harlin (Die Hard 2 and Nightmare on Elm Street 4: The Dream Master) and some spectacularly rugged and vertigo-inducing high-mountain terrain. The opening sequence alone delivers what the title promises, and there's a doozy of an airplane stunt that was later reprised, with modifications, in Air Force One. Stallone, looking as tough and craggy as the mountains themselves, is a rescue climbe! r who finds himself going after a gang of crooks (headed by John Lithgow in his bad-guy mode) who've hijacked a U.S. Treasury plane and crash landed in the Rockies (played by the Italian Dolomites) with millions of bucks. --Jim Emerson Sarah was an inexperienced climber. She trusted Gabe to rescue her. But something went wrong high above the valley floor...Sylvester Stallone, John Lithgow, Michael Rooker, Janine Turner and Ralph Waite star in this high-altitude avalanche of action: a non-stop adventure peak with suspense and capped with heart-quaking terror. For Rocky Mountain Rescue, the mission is almost routine: locate five climbers. With the woman he loves (Turner) and his best friend (Rooker), Gabe Walker (Stallone) braves the icy peaks only to discover that the distress call is really a trap set by merciless international terrorist Eric Qualen (Lithgo! w). Now millions of dollars and their own lives hang in the ba! lance. A gainst explosive firepower, bitter cold, and dizzying heights, Walker must outwit Qualen in a deadly game of hide-and-seek.
Cliffhanger was a 1994 comeback of sorts for action hero Sylvester Stallone, this time thanks to director Renny Harlin (Die Hard 2 and Nightmare on Elm Street 4: The Dream Master) and some spectacularly rugged and vertigo-inducing high- mountain terrain. The opening sequence alone delivers what the title promises, and there's a doozy of an airplane stunt that was later reprised, with modifications, in Air Force One. Stallone, looking as tough and craggy as the mountains themselves, is a rescue climber who finds himself going after a gang of crooks (headed by John Lithgow in his bad-guy mode) who've hijacked a U.S. Treasury plane and crash landed in the Rockies (played by the Italian Dolomites) with millions of bucks. Outrageous action-packed, snow-packed, and scenery-packed! chase sequences (featuring whirring helicopters, whooshing skis, popping gunfire, and clanging pitons that earned the movie Oscar nominations for sound and sound editing) take full advantage of the digital video disc's Dolby Digital 5.1 sound. --Jim Emerson

Body Colorz⢠Lot of 10 Double Jeweled Gem Belly Navel Rings 14g 7/16"

Fanboys

  • A fanatical group of Star Wars devotees travel across the country on a mission to steal a print of Star Wars: Episode I -- The Phantom Menace from Skywalker Ranch and become the first fans to see the film in a rowdy, sci-fi-flavored road comedy starring Sam Huntington, Chris Marquette, Dan Fogler, Jay Baruchel, and Kristen Bell. Carrie Fisher, William Shatner, and Ray Park turn up for cameos in th
Get ready for the comedy adventure that’s “smart, funny, and tailor-made for the inner-Jedi in all of us” (Pete Hammond, Hollywood.com). In 1998, four childhood buddies with a shared love of all things Star Wars reunite for one final, hilarious odyssey. Their insane plan: a cross-country road trip to storm George Lucas’ Skywalker Ranch and steal a copy of Episode I before it’s released. With the police, a crew of angry Trekkies, and a crazy pimp hot on their trail, what could possibly go w! rong? Featuring Dan Fogler (Balls of Fury), Jay Baruchel (Tropic Thunder), and Kristen Bell (Forgetting Sarah Marshall), plus a slew of hysterical surprise cameos, “the Force IS strong with this one!” (Brian Gallagher, MovieWeb)

Stills from Fanboys (Click for larger image)





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Low on inspiration and laughs, Fanboys is a movie that should have been made years ago. Christopher Marquette plays Eric, a would-be heir to a used-car dealership and former loser who rejects his high-school buddies' continuing preoccupation with childish things, including George Lucas' Star Wars saga. When his lifelong friend, Linus (Sam Huntington), is diagnosed in 1999 with a terminal illness, however, Eric joins geeky Windows (Jay Baruchel), wildman Hutch (Dan Fogler) and comely Zoe (Kirsten Bell) on a cross-country trip to steal a print of Star Wars: Phantom Menace from Lucas' Skywalker Ranch for Eric to have a look. Along the way, of course, sundry ! disasters and complications await, everything from getting caught in a gay biker bar to a confrontation with a Vegas pimp (Seth Rogen, genuinely funny). The misadventures at Skywalker include a few good moments, especially when the guards look like characters Lucas might have considered for either of the two trilogies. The best comic material concerns hostilities between Star Wars fanatics and Star Trek Trekkers, including a scene set in the Ohio hometown of James Tiberius Kirk. A few good cameos include William Shatner, Carrie Fisher, and Kevin Smith and Jason Mewes. --Tom Keogh

Cold Dark Waters (Single (2002 remaster))

  • Made in 2002
  • Made by Hasbro
  • Larami Super Soaker
  • Blue and Purple Color Version, with Orange & Green
  • Super Soaker Max D-3000
No one loses their mind instantly â€" Sanity seeps away one drop at a time. Yoshimi simply wanted a better life â€" for both herself and her daughter Ikuko. Unfortunately, such wishes may sometimes be hard to come by. The custody battle has grown embittered and hurtful, her new job is less than desirable, and Ikuko’s schoolwork has taken a turn for the worse. But, Yoshimi has something bigger to worry about. Something upstairs. Something cold and dank. Something that should have never been.Dark Water is Japanese horror auteur Hideo Nakata's return to the genre after his Ring cycle made you too scared to watch television ever again. Where Ringu dealt with a supernatural force wreaking revenge via technology, this fi! lm is a much more traditional ghost story. After winning a custody battle for her daughter, single mother Yoshimi moves into what she thinks is the perfect apartment with her daughter Hitomi. No sooner have they unpacked than strange things begin to disturb their new life. A water leak from the supposedly abandoned apartment above gets bigger and bigger, a child's satchel reappears even though Yoshimi throws it away several times, and she is haunted by the image of a child wearing a yellow mackintosh who bears a striking resemblance to a young girl who disappeared several years before. The conventional narrative follows Yoshimi's increasingly desperate attempts to discover who or what force is haunting her daughter, but the story's execution is far from predictable. Nakata is the master of understated suspense: there's always a feeling of motiveless malignancy that runs like an undercurrent through his films--far more frightening than out and out shocks--and here he also pr! actically drowns his audience in water imagery. The film is sa! turated; the relentless dripping in the apartment, the constant rain outside and the deliberately washed-out photography make any color, such as the yellow coat, seem incongruous and unsettling. Nakata also clears the film of unnecessary characters--this is an almost deserted Tokyo--preferring to concentrate the action on Yoshimi's rising hysteria as she struggles to understand what is happening and how to save her daughter. Granted, the special effects are somewhat unconvincing and the ending confused, but even so the result is a stylish and disquieting chiller that will do for bathtubs what his Ring films did for video recorders. --Kristen Bowditch2002 Hasbro Larami Limited Larami Super Soaker Max D 3000 Water Squirt-Gun (Dark Blue/Dark Purple Version w/Green & Orange)

Batman Beyond: Return of the Joker/Batman: Mystery of the Batwoman

  • Batman Beyond: The Return of the Joker The greatest villain of all comes out of the past to threaten Batman, Bruce Wayne and all of Gotham City in Batman Beyond: Return of the Joker, the first feature-length Batman Beyond movie.The sleeker, deadlier and seemingly immortal Clown Prince of Crime is back with his own unique brand of havoc and mayhem. While trying to uncover the Joker's secrets, the n
The greatest villain of all comes out of the past to threaten Batman, Bruce Wayne and all of Gotham City in Batman Beyond: Return of the Joker, the first feature-length Batman Beyond movie. The sleeker, deadlier and seemingly immortal Clown Prince of Crime is back with his own unique brand of havoc and mayhem. While trying to uncover the Joker's secrets, the new Batman, Terry McGinnis, discovers the greatest mystery in the life of the original Caped Crusader: What happened the night he fought! the Joker for the last time. When Bruce Wayne is almost killed in one of the Joker's latest attacks, Batman vows to avenge his mentor and put the Joker to rest forever. Get ready for heart-stomping action, awesome adventure and amazing revelations in Batman Beyond: Return of the Joker.Some diehard Batfans have been slow to warm to the animated series Batman Beyond even though it was created by the same team responsible for the excellent Batman cartoon of the early '90s. The Dark Knight should be a brooding avenger in a noir-nightmare Gotham City, the purists argue, not some smart-aleck teen four decades in the future, with jet packs, invisibility shields, and other sci-fi gizmos loaned him by an elderly Bruce Wayne (voiced, excellently as always, by Kevin Conroy, his stony bass given a raspy hint of old age), now confined to hobbling about on a cane and monitoring his protégé's activities from the Batcave. Between its respectful reexamination of the ! "tortured hero" mythos and its sleek, anime-inspired look, thi! s featur e-length movie should go a long way toward quieting their complaints. Of course, it doesn't hurt that they've brought back the most legendary figure in the Rogues Gallery (voiced by Mark Hamill, deliciously deranged), but exactly how and why the Joker has managed to turn up 40 years after his last meeting with Batman still as youthful and diabolical as ever is explained not only logically but terrifyingly as well. The secret behind his arrival is perhaps the saddest, grimmest twist any purported "kids' show" has dared to attempt. (Parents may well want to preview this tape before screening it for the very young.) Once again, Warner Brothers' cartoon Batman has outshone all the live-action films, never allowing the thrilling action set pieces or flashes of wry humor to drown out the drama, even tragedy, of the all-too-human superheroes. --Bruce ReidThe greatest villain of all comes out of the past to threaten Batman, Bruce Wayne and all of Gotham City in Batman ! Beyond: Return of the Joker, the first feature-length Batman Beyond movie. The sleeker, deadlier and seemingly immortal Clown Prince of Crime is back with his own unique brand of havoc and mayhem. While trying to uncover the Joker's secrets, the new Batman, Terry McGinnis, discovers the greatest mystery in the life of the original Caped Crusader: What happened the night he fought the Joker for the last time. When Bruce Wayne is almost killed in one of the Joker's latest attacks, Batman vows to avenge his mentor and put the Joker to rest forever. Get ready for heart-stomping action, awesome adventure and amazing revelations in Batman Beyond: Return of the Joker.Some diehard Batfans have been slow to warm to the animated series Batman Beyond even though it was created by the same team responsible for the excellent Batman cartoon of the early '90s. The Dark Knight should be a brooding avenger in a noir-nightmare Gotham City, the purists argue, not some smart-alec! k teen four decades in the future, with jet packs, invisibilit! y shield s, and other sci-fi gizmos loaned him by an elderly Bruce Wayne (voiced, excellently as always, by Kevin Conroy, his stony bass given a raspy hint of old age), now confined to hobbling about on a cane and monitoring his protégé's activities from the Batcave. Between its respectful reexamination of the "tortured hero" mythos and its sleek, anime-inspired look, this feature-length movie should go a long way toward quieting their complaints. Of course, it doesn't hurt that they've brought back the most legendary figure in the Rogues Gallery (voiced by Mark Hamill, deliciously deranged), but exactly how and why the Joker has managed to turn up 40 years after his last meeting with Batman still as youthful and diabolical as ever is explained not only logically but terrifyingly as well. The secret behind his arrival is perhaps the saddest, grimmest twist any purported "kids' show" has dared to attempt. (Parents may well want to preview this tape before screening it for the very y! oung.) Once again, Warner Brothers' cartoon Batman has outshone all the live-action films, never allowing the thrilling action set pieces or flashes of wry humor to drown out the drama, even tragedy, of the all-too-human superheroes. --Bruce Reid

Features include:

•MPAA Rating: PG-13
•Format: Blu-Ray
•Runtime: 75 minutes
Some diehard Batfans have been slow to warm to the animated series Batman Beyond even though it was created by the same team responsible for the excellent Batman cartoon of the early '90s. The Dark Knight should be a brooding avenger in a noir-nightmare Gotham City, the purists argue, not some smart-aleck teen four decades in the future, with jet packs, invisibility shields, and other sci-fi gizmos loaned him by an elderly Bruce Wayne (voiced, excellently as always, by Kevin Conroy, his stony bass given a raspy hint of old age), now confined to hobbling about on a cane and monitoring his! protégé's activities from the Batcave. Between its respectf! ul reexa mination of the "tortured hero" mythos and its sleek, anime-inspired look, this feature-length movie should go a long way toward quieting their complaints. Of course, it doesn't hurt that they've brought back the most legendary figure in the Rogues Gallery (voiced by Mark Hamill, deliciously deranged), but exactly how and why the Joker has managed to turn up 40 years after his last meeting with Batman still as youthful and diabolical as ever is explained not only logically but terrifyingly as well. The secret behind his arrival is perhaps the saddest, grimmest twist any purported "kids' show" has dared to attempt. (Parents may well want to preview this tape before screening it for the very young.) Once again, Warner Brothers' cartoon Batman has outshone all the live-action films, never allowing the thrilling action set pieces or flashes of wry humor to drown out the drama, even tragedy, of the all-too-human superheroes. --Bruce ReidBATMAN BEYOND:RETURN OF THE J! OKER/BAT - DVD Movie

Dreamcatcher Double Ring with Beads & Feathers 19.5-inch (1-pc in Random Color)

Bra Boys

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