Bakto Flavors Natural Extract Collection, 12 1FL OZ

• All natural ingredients
• Certified kosher, pareve
• Gluten free and GMO
• No added color or sugar

The creator of Office Space, writer-director Mike Judge (Beavis and Butt-head), moves from cubicles to the assembly line with Extract-- his outrageous return to workplace comedy, featuring a hilarious ensemble cast of quirky characters. About to sell his successful flavor extract company, life is almost sweet for Joel (Jason Bateman) until a freak on-the-job accident happens. Add to that his bored wife (Kristen Wiig), his laid-back, stoner best friend (Ben Affleck), a sexy con artist (Mila Kunis) who blows into town with dollar signs in her bedroom eyes, and a dumb gigolo and life as he knows it turns sour. Filled with laugh-out-loud one-liners and raunchy comedy, Extract is 100% pure hil arity.The creator of Office Space, writer-director Mike Judge (Beavis and Butt-head), move! s from cubicles to the assembly line with Extract-- his outrageous return to workplace comedy, featuring a hilarious ensemble cast of quirky characters. About to sell his successful flavor extract company, life is almost sweet for Joel (Jason Bateman) until a freak on-the-job accident happens. Add to that his bored wife (Kristen Wiig), his laid-back, stoner best friend (Ben Affleck), a sexy con artist (Mila Kunis) who blows into town with dollar signs in her bedroom eyes, and a dumb gigolo and life as he knows it turns sour. Filled with laugh-out-loud one-liners and raunchy comedy, Extract is 100% pure hilarity.

Bonus Features include: Mike Judge's Secret Recipe Featurette The Ingredients For A Classic Mike Judge FilmMike Judge is in a familiar zone in Extract, which is sort of a close relative to his cult classic Office Space. But this time the main character owns the company, instead of being a cog in the machinery, and middle age presents a diffe! rent set of challenges. Joel (Jason Bateman) concocted a new a! pproach to soda pop, and his small company is bubbling along nicely--in fact, there's talk he might get bought out by General Foods…unless something were to come along to really, you know, screw up the deal. Hmm, what could go wrong? Joel is sexually unfulfilled with his wife (Kristen Wiig), there's a new temp worker (Mila Kunis) at the factory who favors minimal clothing, and Joel's best friend (Ben Affleck), a slacker bartender, is bursting with bad advice. Oh, and there's an employee (Clifton Collins Jr.) contemplating a lawsuit because of a workplace accident that left him missing an important piece of equipment. The film's plot machinations are less enticing than the moment-by-moment behavioral observations, always a Mike Judge specialty. Examples: the chattering of the factory floor workers, who could easily have stepped out of a King of the Hill cartoon, or Joel's suburban neighbor (David Koechner at his chummiest), the kind of yakety-yak blowhard who simply will n! ot shut up, however many polite messages he receives. It might not amount to a whole lot, and somehow the gifted Bateman seems underused here (Affleck, on the other hand, is having a ball). But Extract seems destined for cable-TV repeatability, much like its corporate cousin. --Robert Horton

Stills from Extract (Click for larger image)

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The creator of Office Space, writer-director Mike Judge (Beavis and Butt-head), moves from cubicles to the assembly line with Extract-- his outrageous return to workplace comedy, featuring a hilarious ensemble cast of quirky characters. About to sell his successful flavor extract company, life is almost sweet for Joel (Jason Bateman) until a freak on-the-job accident happens. Add to that his bored wife (Kristen Wiig), his laid-back, stoner best friend (Ben Affleck), a sexy con a! rtist (Mila Kunis) who blows into town with dollar signs in her bedroom eyes, and a dumb gigolo and life as he knows it turns sour. Filled with laugh-out-loud one-liners and raunchy comedy, Extract is 100% pure hil arity.With 12 great and delicious flavors, Bakto Flavors Natural Extract Collection is a great addition to anyone's kitchen! The collection contains 1 oz bottles of the following flavors: Almond, Anise, Chocolate, Coconut, Coffee, Lemon, Lime, Mango, Orange, Peppermint, Rose, and Rum. Selection may vary. A great gift for any occasion!

Adjustment Bureau Poster - FT Promo Flyer - 2011 Movie Matt Damon - 11 x 17

• Promo Flyer to advertise the movie The Adjustment Bureau
• Adjustment Bureau Movie Promo Flyer
• Size 11 x 17 inches approx (28 x 43 cm)
• Window display/ Telephone Pole Flyer sized Poster

David Norris (Matt Damon) glimpses the future Fate has planned for him...and chooses to fight for his own destiny. Battling the powerful Adjustment Bureau across, under and through the streets of New York, he risks his destined greatness to be with the only woman he's ever loved (Emily Blunt).Matt Damon is doing things a lot of top movie stars are sometimes scared to do: spreading his image thin among a range of roles, directors, and material. His forays away from the huge successes of, say, the Bourne movies or the Ocean's series which have highlighted his fully realized strengths as a buff action hero who can also slip effortlessly into natural comic charm aren't exactly ri! sky. His image as a leading-man movie star is pretty much sealed, but in movies like The Informant, Invictus, Hereafter, True Grit, and others, he's stretching some different muscles that take him closer to character-actor territory. That has largely been a good thing for his fans, if not for his box-office stats. The Adjustment Bureau takes him somewhere in between--he's in leading-man territory with the Damon charisma in full bore and giving his all to a story that needs the toned actorly muscle he provides.

Based on a novelette by science-fiction icon Philip K. Dick, The Adjustment Bureau exposes a cadre of people who are either superhuman or nonhumans and control the world by magically influencing the fate of every single person in it. Damon plays David Norris, an aspiring politician who rose from working-class roots in Brooklyn (a not-so-closeted skeleton that sometimes comes back to haunt him) to wealth and the likely prom! ise of high office. Unfortunately, David takes some liberties ! with his fate that don't correspond with the narrative laid out by "the Chairman," the entity in charge of the Adjustment Bureau autocrats whose matching fedoras are none-too-subtle symbols for wings. The movie evades any mention of religion, but those hats and references to the Chairman are huge winks. Emily Blunt is the equally appealing presence who screws up the Chairman's plan in concert with Norris. They fall for each other hard again and again, constantly thwarting and confounding the bureau's best-laid adjusting tricks at every turn. Though it is often simplistic in its plot contrivances, the movie is nifty, clever, nimbly paced, and filled with ingenious special effects. Especially impressive is the recurring motif of doors that are virtual wormholes--a closet that leads to the middle of Yankee stadium, an Escher-like maze of conference rooms that constantly double back on themselves (shades of the dizzying door sequence in Monsters, Inc.). Another cool visual prop a! re the plain bound books bureau functionaries carry that are filled with intricate, animated schematic diagrams that chart the course of a life and how it interacts with others. John Slattery, Anthony Mackie, and Terence Stamp round out the uniformly excellent cast headed by Damon and Blunt, and with the slick production design and inventive effects, the glossy performances go a long way in adjusting up any dramatic shortcomings The Adjustment Bureau may have improperly calibrated. --Ted Fry"Adjustment Team" is a science fiction short story by Philip K. Dick. It was first published in Orbit Science Fiction, Sept-Oct 1954, No.4.

"SOMETHING WENT WRONG ...AND ED FLETCHER GOT MIXED UP IN THE BIGGEST THING IN HIS LIFE." -- Orbit introduction to "Adjustment Team".

Sector T137 is scheduled for adjustment and a Clerk is supervising a canine Summoner to ensure real estate salesman Ed Fletcher is inside Sector T137 during the process. An 8:15 bark ! to summon a Friend With A Car is needed. Unfortunately the bar! k is a m inute late, bringing an Insurance Salesman causing Fletcher to leave for work late. Arriving at Sector T137 after it's been de-energized, Fletcher enters a terrifying gray ash world. Escaping white-robed men he flees across the street back to the everday energized world outside Sector T137 fearing he's had a psychotic episode.


On Friday, March 11 2011 Universal Pictures will release the movie "The Adjustment Bureau" starring Matt Damon and Emily Blunt. "The Adjustment Bureau" is loosely based on the Philip K. Dick short story titled "Adjustment Team".
Matt Damon plays David Norris, a former Fordham University basketball player and charismatic United States Congressman who seems destined for national political stardom. He meets a beautiful ballet dancer named Elise Sellas, played by Blunt, only to find that strange circumstances keep them from becoming romantically involved. Norris discovers forces are at work to keep them apart, and he peels the layers ! to find out why."Adjustment Team" is a science fiction short story by Philip K. Dick. It was first published in Orbit Science Fiction, Sept-Oct 1954, No.4.

"SOMETHING WENT WRONG ...AND ED FLETCHER GOT MIXED UP IN THE BIGGEST THING IN HIS LIFE." -- Orbit introduction to "Adjustment Team".

Sector T137 is scheduled for adjustment and a Clerk is supervising a canine Summoner to ensure real estate salesman Ed Fletcher is inside Sector T137 during the process. An 8:15 bark to summon a Friend With A Car is needed. Unfortunately the bark is a minute late, bringing an Insurance Salesman causing Fletcher to leave for work late. Arriving at Sector T137 after it's been de-energized, Fletcher enters a terrifying gray ash world. Escaping white-robed men he flees across the street back to the everday energized world outside Sector T137 fearing he's had a psychotic episode.


On Friday, March 11 2011 Universal Pictures will release the movie "The Adjust! ment Bureau" starring Matt Damon and Emily Blunt. "The Adjustm! ent Bure au" is loosely based on the Philip K. Dick short story titled "Adjustment Team".
Matt Damon plays David Norris, a former Fordham University basketball player and charismatic United States Congressman who seems destined for national political stardom. He meets a beautiful ballet dancer named Elise Sellas, played by Blunt, only to find that strange circumstances keep them from becoming romantically involved. Norris discovers forces are at work to keep them apart, and he peels the layers to find out why.Adjustment Bureau Movie Promo Flyer

Star Confetti 14 grams - Iridescent (6 packs)

• Create your own decorations
• Use on crafts and special projects
• Bright and colorful
• Enhance your table centerpieces
• Sprinkle on the table for a fun party effect

Grease (Rockin' Rydell Edition)

• Condition: Used, Very Good
• Format: DVD
• Full Screen; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

John Travolta solidified his position as the most versatile and magnetic screen presence of the decade in this film version of the smash hit play Grease. Recording star Olivia Newton-John made her American film debut as Sandy, Travolta's naive love interest. The impressive supporting cast reads like a "who's who" in this quintessential musical about the fabulous '50s. Grease is not just a nostalgic look at a simpler decade--it's an energetic and exciting musical homage to the age of rock 'n' roll!Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twent! y years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative. !

The young, animated cast also deserves a lot of credit, br! inging c hemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny ! new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative.

The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night ! Fever, knows his sexual star power and struts, swaggers, s! ings, an d dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Ghost Dog - Way of Samurai - Whitaker Jarmusch 11x17 Poster

• 11x17 INCHES

A black hitman goes by the name Ghost Dog and lives by the code of the samurai.
Genre: Feature Film Urban Action
Rating: R
Release Date: 21-OCT-2003
Media Type: DVDForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated cod! e of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street cl! othes, and oddly graceful gait--but then Ghost Dog: The Way! of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-dr! iven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerIndie film director Jim Jarmusch always works an unexpected angle, whether it's offbeat humor, a nonlinear narrative, or specific and idiosyncratic characterization. For his latest film--the story of a ghetto hit man who lives by the codes of the Hagakure, an 18th-century Japanese warrior text--Jarmusch enlisted RZA, a founding member of the Wu-Tang Clan. Instead of imagistic tone poems that serve to reinforce a certain mood, à la Neil Young on Dead Man, RZA offers active gunplay that propels the film's narrative. The 11 tracks serve as an RZA-produce! r showcase, standing as independent pieces, regardless of the ! movie it self. Tracks vary from the subdued "4 Sho Sho," which interpolates Forest Whitaker's interior monologue with RZA's street visions, to the stuttering rhythms of Kool G. Rap's "Cakes." Tekitha's '70s disco groove for "Walkin' Through the Darkness" offers unexpected sensuality, while "The Man" by Masta Killah sets things back on the gangsta tip. --Rob O'Connor Forest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the! film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean Axmaker

Green Hornets: The History of the U.S. Air Force 20th Special Operations Squadron (Schiffer Military History Book)

• ISBN13: 9780764327797
• Condition: Used - Very Good
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Picking up right where Kevin Smith''s Green Hornet left off! The Black Hornet is history, but a new, even deadlier threat has grown right in the heart of Century City, and it may already be too late for The Green Hornet and Kato to stop it. How can Green Hornet scare a street gang out of business when the gang members themselves have no fear of anything - even death? Is the horrifying power behind their fearless ferocity truly supernatural? And just who is Saint Death? Collects issues #11-15 in one volume, along with complete cover gallery.The Green Hornet is back, and Dynamite is the new home for the avenging hero, his faithful sidekick, Kato, and their sweet ride - the Black Beauty! Playboy Britt Reid Jr. has ! lived a frivolous life of luxury. But when a mysterious figure from the past brutally and publicly murders his father, all of that changes. Now, driven by a thirst for vengeance and guided by two generations of Katos, this one-time underachiever will find those responsible and take his father's place as Century City's greatest protector - The Green Hornet! Collecting issues #1-5 of the series based on Kevin Smith's unproduced Green Hornet film, this volume also features a complete cover gallery by industry greats Alex Ross, John Cassaday, J. Scott Campell and more, as well as an introduction by the man himself, Kevin Smith.The Green Hornet is back and Dynamite is the new home for the avenging hero and his faithful sidekick, Kato and the Black Beauty! And things kick off with a BANG! as Dynamite debuts Kevin Smith's unproduced Green Hornet film, featuring the one and only origin of the Green Hornet and Kato. Collecting issues #1-5, along with a complete cover gallery.The Gr! een Hornet expansion continues as Dynamite presents the origin! al tales of comics most iconic hero! And Matt Wagner, one of the most creative creators in comics, takes the reins, bringing the characters to their basic roots. Joining Wagner is artist Aaron (Sherlock Holmes) Campbell, whose stunning recreation of the industrial world of 30s Chicago is sure to wow fans across the globe. Reprinting issues #1-6, along with a complete cover gallery.Act two of the first year of the original team of crime-fighters! Writer Matt Wagner weaves a tale of action and adventure unlike anything else seen on the comic racks. Add in the exquisite art of Aaron Campbell and Francesco Francavilla, and you have the perfect companion to the modern day adventures of the Green Hornet from Kevin Smith! Collects issues #7-12 of the hit series, along with a complete cover gallery.Collecting issues #6-10 of the series based on Kevin Smith's unproduced Green Hornet film, this volume also features a complete cover gallery by industry greats Alex Ross, John Cassaday, J. Scott! Campell, and more.Moonstone presents The Green Hornet Chronicles, the first anthology featuring all-new, original fiction tales of the man who hunts the biggest of all game - public enemies that even the FBI can't reach! In police records, The Green Hornet is a wanted criminal, a master manipulator, a crime boss who has his fingers in every pie. In reality, The Green Hornet is actually Britt Reid, owner-publisher of the Daily Sentinel. His goal: to destroy crime from within by posing as a criminal himself! This limited edition collection features bonus material including Harlan Ellison's "liner notes" on his Green Hornet/Phantom team-up story and Anthony Tollin's prose adaptation of the only-played-once origin of The Green Hornet radio episode!In this fascinating, detailed account, Wayne Mutza takes a look deep inside this extraordinary, little-known, but very special unit of the U.S. Air Force. Published here for the first time is the colorful history of the men and their! helicopters that made their living with the legendary SOG tea! ms of th e Army Special Forces. From secret cross-border missions during the Vietnam War to current operations in the Middle East. Also included is a special section of Green Hornet emblems, and detailed lists of every aircraft flown by the 20th Special Operations Squadron.

Four Film Favorites: Final Destination Collection (Final Destination / Final Destination 2 / Final Destination 3 / The Final Destination)

• FINAL DESTINATIONAfter an eerie premonition leads a handful of passengers to disembark an ill-fated flight, Death with all its ingenious contraptions of doom at the ready stalks those survivors (Devon Sawa, Ali Larter, Kerr Smith and more) one by one in the gory, gleeful shocker that launched the fright-filled film series. Final Destination: the start of it all! INCLUDES: Widescreen Version [16x9

This summer, fasten your seatbelts for the ultimate rollercoaster!! Packed with cutting-edge special effects, state-of-the-art gore and enough scares to send your heartbeat into overdrive, Final Destination 2 is a killer sequel to the smash-hit original.

DVD Features:
3D Animated Menus
Audio Commentary:with Director David Ellis, Producer Craig Perry and Screenwriters Eric Bress & J. Mackye Gruber
DVD ROM Features:Play Movie Script-to-screen Link to original web! site Screensaver, Wallpapers, "Chain Reaction" activity Exclusive content at infinifilm.com
Deleted Scenes
Documentaries:"The Terror Gauge" "Cheating Death: Beyond & Back" "Bits & Pieces: Bringing Death to Life"
Extended takes
Full Screen Version:and also Widescreen version on one disc
Other:DTS ES 6.1 Surround Sound Exclusive infinifilm fact track with exclusive material Trailers for the orginal Final Destination and upcoming Highwaymen Widescreen & Fullscreen on one disc
Theatrical Trailer

Final Destination 2 begins with a well-orchestrated multicar pileup on a freeway--a horrifying accident that turns out to be a premonition, as seen by a young woman (A.J. Cook) who saves herself and several other people by blocking a freeway on-ramp. Thus, as in the first Final Destination, a prescient vision disrupts the destined plans of death, and death goes to extreme lengths to correct matters. ! What makes Final Destination 2 entertaining is that th! e charac ters can only survive by learning to recognize the signs of impending doom--and the signs are basically the cinematic foreshadowing that moviemakers use to invoke suspense. This, combined with some elaborately complicated and gruesome deaths, fosters a ghoulish humor that's more entertaining than the smirky self-referentiality of Scream. Final Destination 2 doesn't aspire to be a great movie, but trash has its pleasures. Also featuring Ali Larter as the only survivor of the first movie. --Bret FetzerStudio: New Line Home Video Release Date: 08/30/2011 Run time: 93 minutesFinal Destination 2 begins with a well-orchestrated multicar pileup on a freeway--a horrifying accident that turns out to be a premonition, as seen by a young woman (A.J. Cook) who saves herself and several other people by blocking a freeway on-ramp. Thus, as in the first Final Destination, a prescient vision disrupts the destined plans of death, and death go! es to extreme lengths to correct matters. What makes Final Destination 2 entertaining is that the characters can only survive by learning to recognize the signs of impending doom--and the signs are basically the cinematic foreshadowing that moviemakers use to invoke suspense. This, combined with some elaborately complicated and gruesome deaths, fosters a ghoulish humor that's more entertaining than the smirky self-referentiality of Scream. Final Destination 2 doesn't aspire to be a great movie, but trash has its pleasures. Also featuring Ali Larter as the only survivor of the first movie. --Bret FetzerFinal Destination, Final Destination 2, Final Destination 3, and The Final Destination (2009) FINAL DESTINATION INCLUDES: • Widescreen Version [16x9 1.85:1] • Director/Writers/Editor Commentary • Cast Commentary • 5.1 Isolated Score Audio Track with Commentary by Composer Shirley Walker • Additional Scenes and Alternate Endings â€! ¢ 2 Featurettes: Test Screenings and Premonitions • 2 Games:! Death C lock and Psychic Test • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). FINAL DESTINATION 2 INCLUDES: • Widescreen Version [16x9 1.85:1] • Director/Producer/Screenwriters Commentary • Deleted/Alternate Scenes • Selectable Fact Track with Intriguing Making-of Factoids â€" All As You Watch the Movie • 3 Featurettes The Terror Gauge, Cheating Death: Beyond and Back and Bits & Pieces: Bringing Death to Life • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). FINAL DESTINATION 3 INCLUDES: • Widescreen Version [16x9 2.4:1] • Enjoy 2 Editions of the Film: Original Theatrical Movie and the Choose Their Fate! Version Where You Control the Characters’ Outcomes • Director/Writers/Cinematographer Commentary • Subtitles: English & Español (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). THE FINAL DESTINATION INCLUDES: • Widescreen Version [16x! 9 2.4:1] • Additional Scenes • Subtitles: English & Español (Main Feature. Bonus Material/Trailer May Not Be Subtitled).

Juno (Single-Disc Edition)

• DVD Details: Actors: Ellen Page, Michael Cera, Jennifer Garner, Jason Bateman, Allison Janney
• Directors: Jason Reitman
• Format: Color, Widescreen, NTSC. Region: Region 1 (U.S. and Canada only)
• Aspect Ratio: 1.77:1; Number of discs: 1; Studio: 20th Century Fox
• DVD Release Date: April 15, 2008; Run Time: 96 minutes

Comedic geniuses Tina Fey (30 Rock, Saturday Night Live) and Amy Poehler (Saturday Night Live) team up to celebrate a modern twist on motherhood! Kate (Fey) is a single, successful career woman who wants something more: a baby. But she gets more than she bargained for when she hires Angie (Poehler), a free spirit from South Philly, to be her surrogate in a hysterical mama match-up. From birth class to baby-proofing, they’re the ultimate odd couple that critics are calling “the best female comedy duo since Lucy and Ethel” (Claudia Puig, USA T! oday). With hilarious performances from an all-star cast featuring Greg Kinnear, Dax Shepard, and Sigourney Weaver, Baby Mama is as full of laughs as it is heart!Laughter and hearty guffaws abound in this comical look at 37-year-old career woman Kate Holbrook's (30 Rock's Tina Fey) desperate attempts to have a baby. Never mind that she's not married and has never been involved in a serious relationship; Kate wants a baby and will stop at virtually nothing to get one. After failed attempts at broaching the concept of conception with first dates and trying artificial insemination with the help of a sperm bank, Kate finds out that her t-shaped uterus leaves her with only a one in a million chance of conceiving a child. Adoption doesn't work out and she's left with the distasteful option of hiring a surrogate mother. Enter Chaffee Bicknell's (Sigourney Weaver) surrogate service and her recommendation of the working-class Angie Ostrowiski (Saturday Night Live's A! my Poehler) who, with her common-law husband Carl (Dax Shepard! ), is ju st desperate enough to take on the job in order to make some money, and the stage is set for baby making. As fate would have it, Angie and Carl break up just after Angie announces she's pregnant and Angie ends up moving in with Kate. Unfortunately, the two are completely incompatible and what ensues is a hysterical struggle to coexist while clashing over everything from proper nutrition to stroller selection, hair dye, and delivery options. Further complicating matters is Kate's budding relationship with ex-lawyer and juice-store owner Rob (Greg Kinnear), who just happens to be morally opposed to the whole concept of surrogate parenting. Finally, there's the question of just how fully Angie embraces the virtue of honesty. It's the juxtaposition of opposing viewpoints--so boldly stated, humorously set, and blatantly exploited--that makes this witty comedy so darn funny. Expect graphic references, raunchy humor, and a whole lot of laughter. --Tami Horiuchi

! Beyond Baby Mama on DVD

More Tina Fey

Baby Mama on Blu-ray

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Comedic geniuses Tina Fey (30 Rock, Saturday Night Live) and Amy Poehler (Saturday Night Live) team up to celebrate a modern twist on motherhood! Kate (Fey) is a single, successful career woman who wants something more: a baby. But she gets more than she bargained for when she hires Angie (Poehler), a free spirit from South Philly, to be her surrogate in a hysterical mama match-up. From birth class to baby-proofing, they’re the ultimate odd couple that critics are calling “the best female comedy duo since Lucy and Ethel” (Claudia Puig, USA Today). With hilarious performances from an all-star cast featuring Greg Kinnear, Dax Shepard, and Sigourney Weaver, Baby Mama is as full of laughs as it is heart! Laughter and hearty guffaws abound in this comical look at 37-year-old career woman Kate Holbrook's (30 Rock's Tina Fey) desperate attempts to have a baby. Never mind that she's not married and has never been ! involved in a serious relationship; Kate wants a baby and will! stop at virtually nothing to get one. After failed attempts at broaching the concept of conception with first dates and trying artificial insemination with the help of a sperm bank, Kate finds out that her t-shaped uterus leaves her with only a one in a million chance of conceiving a child. Adoption doesn't work out and she's left with the distasteful option of hiring a surrogate mother. Enter Chaffee Bicknell's (Sigourney Weaver) surrogate service and her recommendation of the working-class Angie Ostrowiski (Saturday Night Live's Amy Poehler) who, with her common-law husband Carl (Dax Shepard), is just desperate enough to take on the job in order to make some money, and the stage is set for baby making. As fate would have it, Angie and Carl break up just after Angie announces she's pregnant and Angie ends up moving in with Kate. Unfortunately, the two are completely incompatible and what ensues is a hysterical struggle to coexist while clashing over everything from proper n! utrition to stroller selection, hair dye, and delivery options. Further complicating matters is Kate's budding relationship with ex-lawyer and juice-store owner Rob (Greg Kinnear), who just happens to be morally opposed to the whole concept of surrogate parenting. Finally, there's the question of just how fully Angie embraces the virtue of honesty. It's the juxtaposition of opposing viewpoints--so boldly stated, humorously set, and blatantly exploited--that makes this witty comedy so darn funny. Expect graphic references, raunchy humor, and a whole lot of laughter. --Tami Horiuchi

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The typical Mommy and me workout just got a little more exciting! Three 10 minute workouts: cardio, core and calm. Great for new moms. In the 10 minute CARDIO routine, you'll melt fat and invigorate with a low-impact series where carrying the baby increases the challenge. In the 10 minute CORE routine, you'll tighten and ! tone the torso and restore beautiful posture-performed standin! g with b aby in bassinette or carriage. In the 10 minute CALM routine, you'll lengthen tight muscles and relax in a seated upright position on the mat, with your baby safe and sound (and getting lots of affection).Juno MacGuff (Ellen Page) is a cool, confident teenager who takes a nine-month detour into adulthood when she's faced with an unplanned pregnancy-and sets out to find the perfect parents for her baby. With the help of her charmingly unassuming boyfriend (Michael Cera), supportive dad (J.K Simmons) and no-nonsense stepmom (Allison Janney), Juno sets her sights on an affluent couple (Jennifer Garner and Jason Bateman) longing to adopt their first child.Somewhere between the sharp satire of Election and the rich human comedy of You Can Count On Me lies Juno, a sardonic but ultimately compassionate story of a pregnant teenage girl who wants to give her baby up for adoption. Social misfit Juno (Ellen Page, Hard Candy, X-Men: The Last Stand) pr! otects herself with a caustic wit, but when she gets pregnant by her friend Paulie (Michael Cera, Superbad), Juno finds herself unwilling to terminate the pregnancy. When she chooses a couple who place a classified ad looking to adopt, Juno gets drawn further into their lives than she anticipated. But Juno is much more than its plot; the stylized dialogue (by screenwriter Diablo Cody) seems forced at first, but soon creates a richly textured world, greatly aided by superb performances by Page, Cera, Jennifer Garner and Jason Bateman as the prospective parents, and J.K. Simmons (Spider-Man) and Allison Janney as Juno's father and stepmother. Director Jason Reitman (Thank You For Smoking) deftly keeps the movie from slipping into easy, shallow sarcasm or foundering in sentimentality. The result is smarter and funnier than you might expect from the subject matter, and warmer and more touching than you might expect from the cocky attitude. Page's per! formance is deceptively simple; she never asks the audience to! love he r, yet she effortlessly carries a movie in which she's in almost every scene. That's star power. --Bret Fetzer

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Ellen Page (Juno MacGuff)	Michael Cera (Paulie Bleeker)	Jennifer Garner (Vanessa Loring)
Jason Bateman (Mark Loring)	Allison Janney (Bren MacGuff)	J.K. Simmons (Mac MacGuff)

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