Saturday, November 12, 2011

ATL (Full Screen Edition)

  • Sometimes 17-year-old Rashad and his pals hang out at the Waffle House, trying to figure out what's next after they graduate. But on Sunday nights, they know what's coming. They'll be at the Cascade roller rink: laying down moves, chillin' with friends.and for a few hours leaving what's outside outside.ATL is a Sunday night fever of laughs, drama and crunk sounds. Video director Chris Robinson ma
Sometimes 17-year-old Rashad and his pals hang out at the Waffle House, trying to figure out what's next after they graduate. But on Sunday nights, they know what's coming. They'll be at the Cascade roller rink: laying down moves, chillin' with friends...and for a few hours leaving what's outside outside. ATL is a Sunday night fever of laughs, drama and crunk sounds. Video director Chris Robinson makes his feature debut, guiding an ensemble that includes astonishingly natural movie newcomers Tip Harr! is (aka rapper T.I.), Lauren London and Antwan Andre Patton (aka Big Boi of the duo OutKast).

DVD Features:
Deleted Scenes
Featurette
Music Video
Theatrical Trailer

If you've grown weary of gangsta thrillers and violent depictions of thug life, ATL will hit you like a breath of fresh air. Based on a story by Antwone Fisher (writer and subject of the 2003 film that bears his name) and written by Tina Gordon Chism, it's essentially a contemporary African-American riff on American Graffiti, focusing on a group of teenagers on the cusp of adulthood, learning valuable life lessons as they strive to make a better future for themselves and their loved ones. The title refers to the airport designation for Atlanta, and that's where orphaned 17-year-old Rashad (Tip Harris, aka rapper T.I.) lives with his younger brother Anton (Evan Ross) and uncle George (Mykelti Williamson). They're poor like most Southside famili! es, but they're making ends meet, caring for each other and fo! rging li fe-long friendships with guys like the smart, ambitious Esquire (Jackie Long), transplanted New Yorker Brooklyn (Albert Daniels), and likable homeboy Teddy (Jason Weaver). On Sunday nights they hang at the Cascade roller rink, trying to impress the girls with their latest moves, and director Chris Robinson (veteran of many music videos) captures it all with casual momentum and genuine affection for his characters. A little too casual perhaps (the pacing sometimes lags), but with a lively mix of color and music, ATL manages to be positive and hopeful without sanitizing the harsher realities (including drugs and violence) of modern urban America. There are threats and obstacles to overcome, but ATL is all about potential, striving for goals and accepting responsibility for one's own actions. Between this and Get Rich or Die Tryin', which example would you prefer to follow? --Jeff Shannon

GoNaturally Organic Assorted Gluten Free Hard Candies, 30-Ounce Bag

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A smart, charming teenage girl, Hayley probably shouldn't be going to a local coffee shop to meet Jeff, a 30-something fashion photographer she met on the Internet. But before she knows it, she's mixing drinks at Jeff's place and stripping for an impromptu photo shoot. It's Jeff's lucky night. But Hayley isn't as innocent as she looks, and the night takes a turn when she begins to impose a hard-hitting investigation on Jeff in an attempt to reveal his possibly scandalous past.The supercharged possibilities of a single set and two amped-up actors are explored in Hard Candy, a twisted cocktail with a poison kicker. After a flirtatious encounter in an online chat room, two people agree to meet for coffee: a 32-year-old man (Patrick Wilson) and a 14-year-old girl (Ellen Page). They quickly advance to hi! s house, and just as quickly, the apparent pedophilic seduction morphs into something else entirely. After the tables turn, Hard Candy becomes a tale of revenge and torture that might have tempted a filmmaker like Park Chanwook. Here, first-time feature director David Slade opts for a slick look that stays close to the actors, and you can't really blame him--this movie is like a conceptual, more-than-slightly unbelievable off-Broadway play, a showcase for actors and "controversial" ideas. Those actors are strong: Patrick Wilson (Angels in America, Phantom of the Opera) is every bit as creepy as he needs to be, and Ellen Page has nothing short of a triumph. The Canadian actress was around 18 when she shot the film, but looks like an adolescent, which makes her authoritative wrath all the more shocking to witness. The provocations of Hard Candy sometimes seem arbitrary or forced, but Page's electrifying performance can't be denied, or dismissed. --Robert HortonGonaturally organic assorted gluten free ! hard can dies comes in pack of 6, each weighs 3.5 ounce bags (total of 21 ounces). It has no artificial color.it is made by hand in america. It is gluten free and contains all natural flavors. Hillside candy is our company’s corporate umbrella name for three brands of candy. The brands are golightly sugar free candy, in business since 1980 (though the business started many years earlier), hillside sweets, a line of sugar based hard candy, and gonaturally, a line of USDA certified organic candy. These 3 made in america lines are sold in drug store chains, mass merchandisers, grocery chains, supermarkets, gourmet stores, rebaggers, gift basket companies and other businesses. Each of hillside’s lines offers quality, consistency and delicious taste.

From Paris with Love [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; DTS Surround Sound; Subtitled; Widescreen
James Reece (Jonathan Rhys-Meyers), personal aide to the U.S. Ambassador to France, is secretly moonlighting as a low-level CIA operative. Looking for more action, Reece accepts a job that teams him with wise-cracking special agent Charlie Wax (John Travolta), a trigger-happy loose cannon sent to Paris on a mission of international importance. Now, Reece finds himself on the wildest ride of his life as the new partners pull out all the stops to annihilate the enemy in this explosive, white-knuckle, non-stop thriller.An uncomplicated, moderately entertaining action film, From Paris With Love offers an enthusiastic performance by John Travolta as a just-this-side-of-crazy agent and Jonathan Rhys Meyers (The Tudors) as the low-level operative newly partnered wit! h him. Outwardly an aide to the U.S. Ambassador in France, James Reese (Rhys Meyers) is also a low-level CIA operative, tasked with generally mundane duties. Then his inside contact offers him a high-level assignment that could lead to a promotion to full agent. All Reese has to do is drive CIA agent Charlie Wax (Travolta) around Paris on an undisclosed mission. But Wax is a shoot first, don't bother with questions kinda guy, and the straitlaced Reese quickly finds himself riding shotgun to a killing-spree through Paris' underground drug sub-culture. The drugs lead the obviously opposite duo to a hidden terrorist cell, and they race to stop the suicide bombers' plot. Wax's wise-cracking, one-on-many fight scenes are adequately entertaining--especially when he flings bad guys down a curving staircase, as Reese tries to avoid getting hit by the bodies--but the action generally leaves you wanting more. An undesirable characteristic in an action movie. Based on a story by Luc B! esson, (The Fifth Element and The Transporter! movies), one can't help wonder if the complexity of the story and characters could have been improved if he'd written the screenplay himself. However, the simplistic story offers a few surprises and laugh-worthy one-liners. The climactic final chase scene--Agent Wax hanging out the window of a speeding Audi, armed with heavy artillery and a driver with nerves of steel, as he attempts to stop one phase of the planned attack--is as impossible as one could hope for in this kind of movie. And hearing Travolta call his burger a “royale with cheese” is almost worth the rest of the movie. --Jill Corddry

Stills from From Paris with Love (Click for larger image)

James Reece (Jonathan Rhys-Meyers), personal aide to the U.S. Ambassador to France, is secretly moonlighting as a low-level CIA operative. Looking for more action, Reece accepts a job that teams him with wise-cracking special agent Charlie Wax (John Travolta), a trigger-happy loose cannon sent to Paris on a mission of international importance. Now,! Reece finds himself on the wildest ride of his life as the ne! w partne rs pull out all the stops to annihilate the enemy in this explosive, white-knuckle, non-stop thriller.
Stills from From Paris with Love (Click for larger image) !


Room for a Little One: A Christmas Tale

Devil's Own (A Clan MacAlpin Novel)

  • ISBN13: 9780425240182
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From the start, Kerry Bishop anticipated danger: She expected unimaginable fear. In a terrifying race to save nine children, she prepared for the fight of her life. But she wasn’t prepared for a passion almost as dangerous as the mission she had undertaken. At the first, Linc O’Neil appeared to be exactly the kind of man Kerry needed: strong, ruthless and definitely too drunk to care about helping her steal a truck to get past the guards. Then she discovered her mistake. Linc was not a hardened mercenary; the heavy gear he carried was not guns but cameras. She had hijacked a Pulitzer Prize-winning journalist. Now he was their last hope. Dependent on a stranger, Kerry refused to let unexpected des! ire complicate their mission. If Linc had the mistaken impression that she was a woman of the church, she was not about to correct him. Certainly, it kept him at arm’s length, which was just where she wanted this man who, despite his bad attitude and constant stream of threats, was their one chance for survival through fifty miles of treacherous jungle. And survival was all they could think about. But if they succeeded, what then? Could Kerry tell him the truth: that she was no more a woman sworn to chastity than she was immune to the powerful effect he had on her? That she desired him more and more? If freedom came, would they be free to love?William Carey has played many roles in his thirty-two years of life. Though born to privilege, he fled his disapproving family and, purely out of spite, devoted himself to a life of danger and infamy. William never thought twice about his self-destructive behavior until he met a passionate woman who showed him how to harness his re! bellious nature and return to London, his family, and society ! as a res pectable gentleman of fortune. But William's beloved wife is six years gone, and with her his joie de vivre. William devotes his days to the pursuit of empty pleasure until the night William's brother asks a small favor by which William meets a young man who ignites a spark in him he'd thought long extinguished. Stephen is fiery and passionate, handsome and mysterious-exactly what a fallen devil needs to stir the ashes of his heart. Unwilling to lose that spark now that he has found it again, William devises a scheme to claim Stephen for his own, but Stephen is beyond reluctant, with another benefactor and secrets he will not share. William will need more than cunning to win Stephen's trust and love. He'll need all the luck he can get.
On July 13, 1863, the largest riots in American history broke out on the streets of New York City, nearly destroying in four days the financial, industrial, and commercial hub of the nation. Placing the riots in the context of soci! al tension and reform from the 1840s through the 1870s, Barnet Schecter sheds new light on the Civil War era and on the history of protest and reform in America.
When PI Malcolm "Mac" Connally's former lover turns up dead in a dumpster in a town several hundred miles from where she's supposed to be no one seems all that concerned. So he takes it upon himself, despite the protests of her family and the local authorities, to find out what happened. His quest leads him to a new lover and a view into a Midwest town's dark underside.When PI Malcolm "Mac" Connally's former lover turns up dead in a dumpster in a town several hundred miles from where she's supposed to be no one seems all that concerned. So he takes it upon himself, despite the protests of her family and the local authorities, to find out what happened. His quest leads him to a new lover and a view into a Midwest town's dark underside.The film The Longest Day brought international fame to the D-Day captur! e of the "Pegasus" bridge by British glider troops. The Oxford! and Buc ks Light Infantry were one of six infantry regiments selected to serve as glider units with Britain's two airborne divisions in World War II. Denys Edwards was part of the Oxford and Bucks company that captured Pegasus Bridge and served with the regiment to the end of the war. After surviving slavery, Aiden MacAlpin has nothing but thoughts of vengeance. When his tutor Elspeth learns a secret to his past, it thrusts them both into a game of passion and deception that neither may survive.

Green Street Hooligans

  • A wrongfully expelled Harvard undergrad moves to London, where he is introduced to the violent underworld of soccer hooliganism.Running Time: 108 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 012569760295 UPC: 012569760295 Manufacturer No: 76029
A wrongfully expelled Harvard undergrad moves to London, where he is introduced to the violent underworld of soccer hooliganism.

DVD Features:
Documentary:The Making of Hooligans
Music Video:"One Blood" Music Video by Terence Jay

After the Lord of the Rings trilogy, Elijah Wood could've opted for further big budget epics, but took a sharp left turn with this better-than-average B-movie. Released just after Everything is Illuminated, another offbeat entry, Wood plays journalism student Matt Buckner. In the prologue, he's expelled from Harvard when his over-privileged roommate sets ! him up to take the fall for his own misdeeds. With nowhere to go, Matt decides to visit his sister, Shannon (Claire Forlani), in London. He's already got a chip on his shoulder when he falls under the sway of Shannon's brother-in-law, Pete (Charlie Hunnam), head of West Ham's football "firm," the Green Street Elite. Matt soon gets caught up in their thuggish anticsâ€"to tragic effect. In her feature debut, German-born Lexi Alexander makes a mostly convincing case for the attractions of violence to the emotionally vulnerable, as opposed to the emotionally numb pugilists of the more satirical Fight Club. Unlike David Fincher (by way of Chuck Palahniuk), she plays it straight, except for the stylized fight sequences. Consequently, humor is in short supply, but the young Brit cast, especially Leo Gregory as the surly Bovver, is charismatic and Wood makes his character as believable as possible, i.e. he may seem miscast, but that's the point. Although there's no (direct) ! correlation between the two, Green Street makes a fine ! taster f or Bill Buford's Among the Thugs, the ultimate dissection of the hooligan mentality. --Kathleen C. Fennessy

Don't Come Knocking Poster B 27x40 Sam Shepard Jessica Lange Tim Roth

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Don't Come Knocking Style B 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
A TALE OF A WASHED UP HOLLYWOOD STAR THAT FINDS A RAY OF HOPE WHEN HE DISCOVERS THAT HE MIGHT HAVE A GROWN UP CHILD INMONTANA.With Don't Come Knocking, Wim Wenders revisits territory, both literal and metaphorical, first explored in Paris, Texas. Not only does he return to the Southwest, but Sam Shepard is back as co-writer. This time, he's also the star. His Howard Spence is a movie cowboy who's had enough. One day while working in Monument Valley, he takes off his boots and hops a train to Nevada to see his mother (Eva Marie Saint, lovely as! ever). Little does he know that Sutter (Tim Roth), a by-the-books bondsman, is hot on his trail. Next, Spence travels to Montana where a sad young woman named Sky (Sarah Polley) is recovering from a recent death, while an angry young man named Earl (Gabriel Mann), who sounds much like Chris Isaak, plies the troubadour trade. Spence doesn't know it yet, but they're the results of a rambunctious past that will soon "come knocking," as it were. While in Butte, he also catches up with Doreen (Jessica Lange), a lover from many moons ago. Clearly, Don't Come Knocking is Wenders and Shepard in a reflective mood, even more so than in Paris, Texas, as Spence is older and has more regrets than Harry Dean Stanton's Travis. It doesn't leave as much of an impression, but the film is a worthy addition to the post-modern Western canon. Shot by Franz Lustig, it's frames are filled with intense hues--fiery reds, glowing greens--and a plaintive score by T-Bone Burnett. --Ka! thleen C. FennessyThis digital document is an article from! Nationa l Catholic Reporter, published by Thomson Gale on April 14, 2006. The length of the article is 879 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Deadbeats in action: 'L'Enfant' and 'Don't Come Knocking' make challenging viewing.(MOVIES)(Movie review)
Author: Joseph Cunneen
Publication: National Catholic Reporter (Magazine/Journal)
Date: April 14, 2006
Publisher: Thomson Gale
Volume: 42 Issue: 24 Page: 15(1)

Article Type: Movie review

Distributed by Thomson GaleDon't Come Knocking by Jason C feat. Denna-Marie

This product is manufactured on demand using CD-R recordabl! e media. Amazon.com's standard return policy will apply.

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Deep Water

Eden Lake

  • EDEN LAKE (DVD MOVIE)
Like a bad dream turned worst nightmare, Eden Lake is a "relentlessly tense and immaculately paced" (Twitch Film) horror-thriller about modern youth gone wild. When a young couple goes to a remote wooded lake for a romantic getaway, their quiet weekend is shattered by an aggressive group of local kids. Rowdiness quickly turns to rage as the teens terrorize the couple in unimaginable ways, and a weekend outing becomes a bloody battle for survival. Eden Lake is "fierce, thought-provoking ... and genuinely shocking" (Time Out London).British director James Watkins’s directorial debut is an overtly moralistic thriller centering around a couple who are trapped and taunted lakeside by a gang of teenage bullies, led by a boy named Brett (Jack O’Connell). Warning signs to stay out of this camping area abound, in the spirit of myriad camping-trip-gone-awry tales, like the cla! ssic Friday the 13th. The challenge, here, is to subvert those warning signs in order to harness some minor sympathy for the alleged victims to be. However, Steve (Michael Fassbender) and Jenny (Kelly Reilly) are too wrapped up in puppy love to turn around, even when their GPS signal advises them to do so. As a gang of wayward kids pick fights with Steve and Kelly, the couple attempts escape... at first. But Steve’s desire for revenge impels him to search for the delinquents’ parents, which becomes the couple’s downfall. A good portion of Eden Lake is devoted to the chase, during which Steve and Kelly look increasingly swampy under caked on layers of blood and mud. These scenes are well done, fast-paced, and here, enacting fear, Kelly Reilly is at her best. But as the film progresses, one sees so many connections between the teens’ violence and the abhorrent behavior of their parents, that Eden Lake leaves no character interpretation up to the v! iewer. Yes, bad parents usually make bad teens. But a deeper i! nvestiga tion into Brett’s inner mind, or his ability to follow through with torture and the sadistic control he exhibits over his gang, would result in less obvious, and possibly more interesting explanations for criminal action. Though many Dimension Extreme films are cutting edge in the horror genre (see Inside), Eden Lake is not one of them. --Trinie Dalton
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